1998 

Helga de Alvear, Madrid

Sound sculpture.

An insecurely constructed and precariously balanced cabin, inside of which two soundtracks are heard on four loudspeakers emitting into the cabin in a random loop. One of the recordings emits the voice of an anonimous person making Johnny a number of requests of a sexual nature; the other consists of a series of grave and profound musical fragments that independently interfere with the  voice recording.

Vacca suggests that the intention of the artist regarding his work may have a different or even opposite effect upon the spectator, especially when there is no communicative intention, which is the characteristic that all of his works have in common.